Thursday, April 10, 2008

what makes you think you're the one

OK, let's try and get back to 'normal' here -

[previous installments of my blogging of highlights from Fleetwood Mac's TUSK - "Over and Over," "Save Me a Place," "Sara"]


fleetwood mac - what makes you think you're the one

like most of the Lindsey Buckingham-led tracks on TUSK, "What Makes You Think You're the One" starts off kind of abruptly and loudly, making it at first listen (OK, first dozen listens) kind of an unwelcome interruption between the twin Stevie Nicks-led peaks of "Sara" and "Storms." also like most of the Buckingham tracks, once you get past that initial cold water shock, there's a lot here -

first of all, though, it needs to be said - this is an absolute monster drum part and performance by Mick Fleetwood, simple quarter notes that switch between a snare and bass drum played equally relentlessly and hard as fuck. Fleetwood's brutally minimal rhythmic foundation here is the perfect wingman for Buckingham's harshness, hammering home his dream-shattering message (below) with every hit

as Alison points out in her recent comment, it's helpful for us MP3 listeners to understand this as the first song of side B of the first record of the double LP set, and consequently a pointed response to the mellow hopefulness of the Christine McVie side A opener "Over & Over," which asks, albeit cautiously, "could it be me? could it really really be?" - a hopefulness which is disavowed as soon as it's expressed, as Christine reminds herself resignedly that she's asked this question "over and over."

here, Buckingham offers the cynical rejoinder of someone who's been asked the question over and over, mocking the naivete of his partner's belief in the supernatural, mystical powers of love to transcend the inevitable pettiness and sadness of the world

what makes you think you're the one
who can laugh without cryin?
what makes you think you're the one
who can live without dying?

the chorus further demystifies, excluding the possibility of any special, unseen value created by or exclusive to their relationship. it can also be read in a kind of harsh, mocking way - the provisional and ultimately ordinary nature of their relationship is plain to see to everyone, except, implicitly, his partner

every little thing is there to see
every little bit of you and me

however, as with "save me a place," Buckingham admirably elevates all of this above the straightforward denigration of his partner's hopes by turning the camera around to capture his own inadequacies and inconstancy in the second verse:

what makes you think I'm the one
who'll be there when you're callin?
what makes you think I'm the one
who will catch you when you're fallin?

the point is hammered home further in the last verse,

what makes you think I'm the one
who will love you forever?
everything you do has been done
and it won't last forever

so true, yet so harshly, plainly put! if this is the kind of cynical, romance-weary guy Stevie and Christine have been shacking up with - and it is! - it's no wonder their wounded femininity hits back so fucking hard, as we'll see with tonight's tomorrow's post on "Storms."

1 comment:

Anonymous said...

wow nice pieces about FM songs.
Thank you.