angel

[previous posts in this series of close readings of selections from Fleetwood Mac's TUSK - "Over and Over," "Save Me a Place," "Sara", "What Makes You Think You're The One," "Storms," "Sisters of the Moon"]

ANGEL

fleetwood mac - angel

"Angel" follows "Sisters of the Moon" (though I think maybe it's the start of the 2nd LP on the vinyl version?) and, for the first minute or so, it seems like the jaunty, country-rock, and kind of terrible polar opposite of the dark, witchily awesome post-punk of "Sisters" - as I believe Holly has remarked in the past, the cheesy sound of those first few bars can kind of keep you from taking this song seriously at first

yet! it is really fucking serious, as Stevie herself says in the video at the end of this post. the song inexorably, and indeed with painful, profound beauty, is drawn back to the same themes of nihilism and self-destruction as "Sisters," but instead of occult, Lynchian imagery, Stevie's verses anchor us in the the all-too-recognizable world of everyday heartbreak and loss, looking back to an irretrievable past -

sometimes the most beautiful thing
the most innocent thing
and many of those dreams
pass us by
keep passing me by

the second verse in particular is utterly devastating, familiar, and real -

I still look up
when you walk in the room
I've the same wide eyes
now they tell the story
I try not to reach out
when you turn around to say hello
and we both pretend
I'm no great pretender

yet, instead of this memory of love and innocence fading away, into the past, Stevie, hauntingly beautifully and basically crypto-suicidally wills herself into a ghostly future in the chorus:

so I close my eyes softly,
'till I become that part of the wind
that we all long for sometime

and to those that I love
like a ghost through a fog
like a charmed hour and a haunted song
and the angel, angel of my dreams

the line about becoming "that part of the wind that we all long for sometime" just fucking floors me every time, and God knows that I thought of it often throughout the painful month of June, I don't know if I've ever heard anything so poetic and sad and true in my whole life -

and the titular Angel, looming, wordless in the fog, so much like Stevie's dark "Sister" at the top of the stairs in the previous song - and also sooo much like the Sister, the Ghost-Angel is revealed as Stevie's own doppelganger, "that girl was me... just like a ghost through the fog" etc. but while the Angel is ostensibly good, very good, an incarnation of the innocent and beautiful things in Stevie's life where the Sister was a manifestation of the darkness, it leads her to the same personal abyss, a transcendent nothingness, those fucking winds we've discussed in several contexts in this series.

and as elsewhere, the parallels to the Twin Peaks mythology are unmistakable - if the Sister lives in the Black Lodge, the Angel lives in the White Lodge, and, as shown by the appearance of Laura Palmer's literal angel in the Black Lodge at the end of Fire Walk With Me, the two places may be "one and the same." for more on the Stevie Nicks/Laura Palmer connection and a video of the insanely heartwrenching scene with Laura and her angel, please see my previous post, also titled "Sisters of the Moon"

this is the awesome and ultra-compelling contradiction (or non-contradiction) at the heart of Stevie Nicks' profound appeal - the sunny blonde California surfer girl with the beautiful voice and wild heart (and a hopeless attraction to some of the douchiest guys in rock history) is simultaneously the gothy, scorned hag, a kind of 'white witch' in the words of one Josh Cheon. this song and this footage of its recording from the awesome yet sadly brief Fleetwood Mac "Tusk" documentary really gets to the heart of the matter - the interview with Stevie early on where she describes the song's genesis is utterly priceless, hilarious and self-serious and true, and the unearthly passion, crooked teeth, and crazy outfit she's wearing when she sings "like a ghost through the fog" makes for kind of an ultimate Stevie-y Stevie moment -

"I wanted to write a rock and roll song, so it started out being much sillier than it came out. It didn't end up being silly at all. It ended up being very serious."

(Caption: "Kent Couch leaves his gas station in Bend, Ore., on Saturday, July 5, 2008, riding a lawn chair rigged with more than 150 giant party balloons in an attempt to fly to Idaho. He is equipped with a BB gun and a blowgun for popping balloons if he gets too high and three 15-gallon barrels of cherry Kool-Aid for ballast to release if he gets too low.")

BEND, Ore. (AP) - A man has taken flight in a lawn chair hoisted by more than 150 large helium-filled party balloons in a bid to ride the wind from the central Oregon town of Bend all the way to Idaho.

Kent Couch was wearing a parachute Saturday morning as he kissed his wife and kids goodbye, patted his dog and took off at sunrise from his gas station.

This is Couch's third lawn chair flight in as many years.

He hopes to do better than last year, when he flew 193 miles before running low on helium and had to land in the sagebrush of northeastern Oregon.

june 20

the nice thing about working from the midtown office is that midtown fucking sucks no matter where you're going home to. my bed left yesterday, with a big assist from mom and dad and the car, but the mattress is still here on the floor, like in the beginning - it's so fucking sad, but weirdly beautiful - I am so blindly in love with this place - to see the house kind of decay into the semi-feral state it was in when I moved in. we smashed a lot of stuff at band practice last night, or at least the other guys did. my fortune was pretty boring or irrelevant at least. there's really nothing left to do but grind it out from here. also, have the most epic party in house history this weekend, you know what it is, we're not going to get rained on 3 parties in a row, we are not that doomed, are we?

june 20th we had maybe the most 'mellow' or actually just weirdly under-attended party in 502 history. sean was in town!, but it rained again, there was a lot going on that night, people were saving themselves for this week? I dunno. once I got over my rain- and party-related anxieties and started drinking things got pretty nice though, with a zany kitchen set by Puttin on the Ritz, gratifyingly incorporating Caitlin's decoy pigeons, and transcendent, dimly-lit performances in Aron's bedroom (in the Casiotone for the Painfully Alone nook!) by Zeke Healy, shredding bluegrass at 502 for the third and final time - and, amazing dude that he is, he even figured out how to play Landslide, allowing me some deep and necessary musico-spiritual closure - and Julianna Barwick, who overcame the repeated ill intentions of the rain gods to play a gorgeous lullabye-set, maybe the coziest, dreamiest performance in 502 evar. I've got some camera-vids but I gotta figure out how to upload them

june 8

sorry for all those emotions earlier, I'll try and keep it dignified around here but it's fuckin tough. sorry dad and anyone else who had hopes of me handling this like a big strong man or whatever. buck the world! we're having our last band practice, ordering Mr. Wonton for the last time, getting my last fortune - I'll let you know how it goes.

on June 8th we had another magical evening that was unfortunately fucked up by the rain - Puttin on the Ritz played, uproariously, followed by an incredibly special and meaningful set of, YES, Fleetwood Mac covers (sorry dad and anyone else etc) I got to do with Kevin MacFee, one of my oldest and best friends and my old musical tag team partner from high school, as well as Aa's own Nadav on drums. Julianna Barwick was supposed to play too but opted to play last weekend instead.

more from that later, there is so much to say about the 8th and the drama and the fucking emotional blue balls that comes from not finishing fucking "landslide" - maybe today's when the landslide finally did catch up? - but it's better to just watch Lev's "insta-movie," a free-form, lo-fi, short-shot documentary he made about the evening - some great moments and special times for sure, peep that awesome panning shot that latches onto Kevin "Sticks" Shea en route to the kit! every hour is the magic hour at 502, however awesome you guys imagine it must be to live here I assure you it is like 10x as fucking awesome

may 22

I just suddenly started getting my fucking young buck on over here, bawling my motherfucking eyes out in this dismembered, bleeding room, needing to work through the next 48 hours straight or so on doing impossible things for my job, this is really feeling like a fucking online diary right now and sorry etc but for the record I am pretty far past the breaking point already and I have a very long fucking way still to go, so I really do need everyone around rooting really, fucking, hard for me right now

I've been almost kind of keeping it together for more than a month now, the last time I really lost it like this was the last May 22, def maybe the most amazing, beautiful night ever at 502 when greg reynolds and mariko endo danced in the yard, and the dead science played covers of classic souls songs sampled by the wu-tang clan in the cabaret of my dreams, pictures below, seriously lynchian, sorcerous vibes, this has always been and always will be the house of my dreams etc

another day in paradise

in sharp contrast to the brutal stress of the actual work going on here, it's fucking beautiful out in the outdoor office today.  one of the infinite number of things I will never stop missing about this place is the awesomeness of being on the ground floor and having this nice ground level outdoor space.  no matter how shitty things are going, it's always kind of reassuring to be able to step outside your door and smell the dirt, hear the birds, see the bugs, etc.  we've got a pretty amazing roof on our new place, which I have not and am never going to talk about on this blog, but no first floor.  

Todd just stepped out looked around, saying "another day in paradise," "yeah we've still got a few left."  it's true.  I'm trying to enjoy listening to Mr. C's classic 2004 Bossa Nova Carnival episode, which I have enjoyed so many times out here throughout summers 05-07, but I'm having a hard time connecting to it

bad fortune

after keeping them at arm's length for most of the past month, all the heavy fucking emotions wrt the final extinguishing of my home here at 502 are predictably rising up again, and also predictably this is coming at an utterly hellish time work-wise, with all the lack of sleep and dark feelings that come with it.  I just ordered Thai food from Thai Sesame - two curries, one for dinner and one for breakfast - and got choked up telling them my address.  you can kind of put it out of your mind for awhile sometimes but basically things just get worse all the time

anyway, one of the posts I meant to do before I and this lodge and this blog disappear is to note, for posterity's sake, the uncanny relevance (time will tell wrt accuracy) of the fortunes I've gotten from Mr. Wonton over the past couple of months

"you will make many changes before settling satisfactorily" (back in March, just weeks before the news)

"don't fear!  every ending is a chance for a new beginning" (I was and am still maybe not ready for this one)

"through greater effort and hard work a precious dream comes true" (hah hah yeah right)

"everyone around you is rooting for you.  don't give up."  (this one really got my waterworks goin when I got it a couple weeks ago during a particularly dark moment and again now)

lol

awesome, lulzy story on the kind of insane yet also really touching relationship between A-Rod and Pete Rose, via Danny:

By spring training in 2006, their text messages began in earnest. And A-Rod is a text-messaging fool. He'll text Yankees players, coaches and staffers ... even when they're sitting 15 feet away in the same clubhouse. He'll text "LOL" when something amuses him, and he'll text :-( when he's bummed. And the first text message from Rose that spring definitely had them LOLing...

anything is possible

there's a lot to talk about right now. moving out is becoming kind of like alzheimer's - as people, pieces of furniture, etc continue to disappear, my loved one is becoming more and more unfamiliar to me, and my memories, or my memories of memories, are becoming alienating in a weird and sad way. Jeremy from the Voice is going to be coming by a few times in the coming 12 (!!!!) days to document the last days of the magic, which I am really happy about.

so yeah there are lots of pictures and videos and TUSK, as ever, to talk about, but I don't know when I'll have time. this blog is going to die along with the house. mostly right now I just wanted to post a link to Kevin Garnett's post-victory freakout, I don't know when he would have done it but he really seems to be high on more than winning right now, or possibly tripping or something, I don't know but it's awesome - come for the "ANYTHING IS POSSIBLE!!!!", stay for the "you look real good tonight, Cheryl" -

pause

sorry for the internet silence over here, there are important TUSK tracks to blog as well as pictures and a recap from last Thursday's epic night at 502, also a super necessary review of 502's art collection, but I need to put in a little more time just keeping the real-life wheels from falling off right now

in the meantime, in case you were wondering, Ponytail is still pretty much the best and most exciting band in the world right now afaik - check out this new track "Small Wev" esp ASAP, and reacquaint yrself with the amazing "Celebrate the Body Electric" if you haven't recently/already, have your faith in the power of guitars and voices and indie rock and life etc restored

UPDATE: coincidentally you can download Celebrate the Body Electric over at Paper Thin Walls for a limited time, and you definitely, definitely should

giving

speaking of Alexis's forthcoming bday, girl is asking friends, family, internets, etc to step up to the plate to sponsor her in this year's AIDS Walk New York - please to helps!

this is frankly a banner year for having friends participate in epic AIDS research-related charity feats - maybe we are growing older, stronger, more generous? I also highly recommend donations to the AIDS Walk of BEN KOPIT as well as the epic extra plus AIDS bike ride from Los Angeles to fucking San Francisco over 7 days and 545 miles (!!!) by DEAN BEIN, both of whom may also be known and notoriously warm-hearted spirits to many of you -

I am certainly bout to break off a chunk of change for each of these noble efforts, wtf, join me if you will

stand back

so yes I DID go to NOTS (Night of a Thousand Stevies) on Friday, easily one of the least heteronormative nights of musical bliss I've had in a minute - plz see this photoset and this blog for insights into the weird spell under which I have been inexplicably put.* also, vids from the pre-party courtesy of Stevies/FM powerhour instigator-in-chief Holly -

alternately, you can just watch the amazing video for "Stand Back" obsessively, as I have been, and learn everything you need to know about the powerfully, glamorously wounded and witchy vibes she commands - featuring an uncredited Prince on keyboards, no doubt



I gotta admit I'm a little hesitant to post this in the middle of my TUSK-bloshery - while this fresh new wrinkle on my deepening FM/Stevie obsesh is a uniquely exhilarating escape from the increasingly depressing, disappointing shithole of my real life, I gotta acknowledge that the glamorous and, yes, I guess kind of 'campy'/cokey black and silver/gold palette of '80s disco-y solo Stevie clashes slightly with the organically schizophrenic and depressively human blues/greys of Fleetwood Mac and TUSK...

but, really, what choice do I have? can YOU get the fuck over the second verse and Stevie bending back like the willow, or the insane, hallucinatory 1:50-2:10, where the camera pans back to reveal our scorned, radiant heroine stalking a neon catwalk and sprouting lacey angel's wings? witness the intense fucking intensity of the last verse starting around 3 mins in, and in the outro around 4 mins, and tell me you don't feel the urge to share this unearthly passion with all of your internet friends

I can't tell you how psyched I am to add this and "Edge of Seventeen" to my karaoke repertoire, so glad to have an undoubtedly epic karaoke bday party approaching fast

* actually, given my teenage Dungeons & Dragons playing, my lifelong interest in diva-tastic "gay" music and love for "Stand Back," and the various "straight" romantic resonances of Fleetwood Mac's intensely hetero discography and biography in my life, I basically fall under all three of the main Stevie fan demographics! maybe it was only a matter of time? overdetermined!

canadia

gonna take a little break from all this New York nonsense for a minute - Aa is heading north to play some shows in Montreal, Hamilton, and Toronto with An Albatross, and then all-time fave college show vibe-zone Bard with No Age - details here, for any readers in the area or with friends in the area.  real psyched to get out of town but needless to say it will be painful to miss the world premiere of the Kanye power hour at Savalas, courtesy of Thesearepowerfulhours and big Ben Johnson, in town from Cali!

storms

given the long-awaited and hoped-for shift in the weather away from the sun and towards the rain, and given Jeff & Caitlin's & Emilio & most of the living room's departure from 502land
this weekend, leaving a constant reminder of the mangled home lives that await us all, it is obviously time to get back to

STORMS

[previous installments of my blogging of highlights from Fleetwood Mac's TUSK - "Over and Over," "Save Me a Place," "Sara", "What Makes You Think You're The One," and the special feature "Sisters of the Moon - Laura Palmer and Stevie Nicks"]

fleetwood mac - storms
fleetwood mac - storms (demo)

(you should probably download both of these, tbh. everything here applies at least as much to the demo, which also includes this awesome, halfway through-the-second-verse drum entrance, Stevie's own defiant heartbeat materialized in Mick's genius arrangements)

"Storms" was already pretty much my/the TUSK anthem before all this house stuff hit, and my relationship with the song has only deepened and intensified since. if you are going to download one fucking song from this whole series, you are fucking heartless (and/or happily engaged in some kind of long-term relationship and don't want to think about this kind of dark shit), but you might as well make it this one. on an album full of songs about the complex agonies of doomed, addictive relationships and compulsively morbid heartbreak, "Storms" goes further than any in giving us an almost unbearably intimate window into the heaviest, bio-emotional micro-steps that the irreparable 'wild heart' takes to separate itself from and cauterize these wounds -

every night that goes between
I feel a little less
as you slowly go away from me
this is only another test

every night you do not come
your softness fades away
did I ever really care that much?
is there anything left to say?

no, Stevie, you're summing it up real succinct-like. and has there ever been a more straightforwardly eloquent, devastating expression of the sadness that no mere eye-tears can express, of the anguish that runneth over any corporeal cup, and of the dark, suicidal thoughts and deadly calls that naturally follow, than this quasi-chorus?

every hour of fear I spent
my body tries to cry

living through each empty night
a deadly call inside

the second verse is similarly heavy, if more cryptic, other than the too-true, too-real line about "I haven't felt this way I feel / since many a year ago." skipping ahead to the third 'verse', a kind of genius half-verse that structurally reminds me of the immortal Bacharach/David/Warwick "Make It Easy On Yourself," Stevie leads us to the REAL chorus, for the first and last time. I don't know if I'm just totally under her spell or what, but I can't get over how these seemingly generically-hippie-ish lyrics are transformed into devastatingly powerful, elemental, defiant truth when sung in Nicks's quaveringly passionate tones -

so I try to say good-bye, my friend
I'd like to leave you with something warm
but never have I been a blue calm sea
I have always been a storm

always been a storm
always been a storm
I have always been a storm

yes. yes. yes.

- AND THEN the gorgeous coda, which subtly shifts us from minor-key turbulence to wistful major tones and a quietly emerging percussive undertow, courtesy of typically-understated genius Mick Fleetwood - which, intriguingly, suggest to me at least that maybe Stevie's actually managed to sail away on that blue calm sea, looking back on the tumult and heartbreak she suffered on that disappearing shore... as if! we're like a third done with this shit and it's going to get way darker, for reals, before there's any light. but - how can any human heart not be moved by this elegiac tone, the implicit, heartbroken farewell of "I loved you from the start"

we were frail...
she said every night he will break your heart
I should have known from the first,
I would be the broken hearted

I loved you from the start...

don't blame it on me / blame it on my wild heart

"said I'm leavin / and you say I don't even know how to start"

there's a lot of non-FM music I've been meaning to post, but I am once again completely consumed by Stevie Nicks-worship, watching and rewatching this awe-inspiring and miraculous video of her backstage before a Rolling Stone photo shoot in 1981, getting her makeup done and suddenly sliding into a passionate performance of a never-recorded early version of "Wild Heart," later kind of a shitty Stevie solo track but this arrangement is pure, heartbreakingly bittersweet FM gold, one of those videos that fills you with a reverent gratitude for the existence of youtube - and Holly's blog, for uncovering it in the first place - I would actually recommend watching this full-screen, like 10-20 times in a row, I dare you not to get goosebumps when she shakes, "I love you, I love you, I love you, I do, blame it on my wild heart" -



this alternate, longer version has worse video quality but gives you a better idea of the spontaneous vibe and the suddenness of the surrender -



as Alison commented via e-mail, "OH my god, amazing. It's so uncanny how famous people can slip between being normal girl backstage getting make-up put on to crazy stevie nicks singing the best song!" yes, uncanny is exactly what it is, an utterly sublime moment and a testament to the intangible, mysterious quality that makes famous people famous and Stevie Nicks in particular a total fucking goddess

a selection of the best comments from the first youtube clip, with the winner in bold

this might be my fave stevie video.she has such a love for the music,and u know its not acting,she just lets go with.or it coulda been the coke,but i hope not

from wikipedia: "The title song, "Wild Heart," was partially written during 1981, and footage exists from a Rolling Stone magazine cover photo shoot where Nicks, while getting her make-up done, sings the work-in-progress to the instrumental line from Lindsey Buckingham's "Can't Go Back" (from Mirage)."

She looks so youthful an Vibrant --she was screwing Joe walsh at the time

Tonight sucked on so many levels..so I knew I could YouTube this clip which I love and be 19 again. I love this clip, it is sweet, innocent and takes me back to long ago happy days..i'd give anything for those again

That was so beautiful! Stevie has such a sweet and natural way about her in this and I couldn't take my eyes off of her. :o)

love this and listen to it so much its all i hear when when i put my head on the pillow at night ........she looks georgous as ever too and am sooooooooooo jealous

that's why i truly believe that best music versions happen outside studios... just love the eye contact between stevie and the makeup girl, completed surrender to her voice...

I just love this clip... I could watch it over and over again every day... In fact, I have been! LoL :-)

This really shows her charisma and charm.
She's got IT in huge abundance,
as much as any performer ever.
A special gem she was, and is.

teh question

is 502:

a: The Island,

or b: the Red Room/Black Lodge?

i.e. will I lose this magical place and spend the rest of my life plagued by nightmares and obsessed with finding my way back? or does Jacob have a plan? will I flee as an empty-eyed, depraved doppelganger of my former self? or can I escape somehow to the White Lodge? where the fuck is Laura Palmer? etcc

vemix

sorry about the continued absence of TUSK posts but it is hard to post about "Storms" with this kind of weather - besides, there are other noteworthy aspects of the internet that are also worth your attention -

* NATE aka UNCHAINED née KNIFESTORM et al has taken the plunge into video artistry, and the results, predictably, are great - please introduce your youtube to NUMUW for video and audio remixes of typically well-chosen source material alchemized into typically compelling and uncanny pieces d'art - check out the unsettling kuduro remix and chill, epic prog vibes of his video for Wingdings' "Return to Earth Part IV" -



* LEV and WHITNEY aka BALL DEEP, no strangers to distinctive video sensibilities and unique syntheses of disparate elements, have recently dropped a frankly groundbreaking video of their fan-fiction, "new gaze" remix of globetrotting superstars Vampire Weekend's originary myth, "Walcott" - reimagined as a slow, blissily tragic swim in one of Cape Cod's (?) monster-infested lakes:

neverending

1 - big ups and lolz and devil horns always and forever to the genius photo-editorial skills of Matt Drudge of drudgereport.com

2 - fuck the haters I freq enjoy reading Mickey Kaus's blog for his relentless and occasz annoying fixation on poking holes in liberal orthodoxy and needling careerist young bucks like Yglesias and Ezra whatsisface. one of the main reasons is his endearing awareness of the bullshittery of all punditry, including a healthy dose of self-criticism that recently produced this frankly stunningly good analogy that completely detonates the hypocrisy of the whole "bitter" controversy, which he had previously jumped all over in a fit of typically Kausian "elitism"-bashing. put a star next to this one dear readers and keep it close to the front of your brain, I'm sure it will be useful for future pointless arguments about this stuff

...The problem for me is that I'm a Vulgar Marxist too. I've always believed that people need to eat, and want to get ahead and prosper. If you give them an avenue that lets them do that, they aren't going to let their religion, their music, their sexual habits, their families or their educational system stand in their way for long. The two most obvious contemporary applications of this economic determinism are 1) China (when the Chinese have a capitalist economy they won't be able to have a Communist government, Vulgar Marxists would say) and 2) the Muslim world (if Islam needs a Reformation in order to prosper in a global market, then Islam will eventually get a Reformation). I agree with both of those propositions.

Does that mean I'm condescending too? It's hard to avoid the charge. If a Chinese Communist Party Official somehow came to me and declared that, no, China would out-compete the West while maintaining Mao-era control over free inquiry, I'd think 'You poor deluded fool. Just wait.' I support Western policies of bringing China into the global marketplace in large part because I think that means Chinese Communism will collapse even if the Chinese Communists don't realize it. Same with fundamentalist Muslims--e.g. Pakistan, when prosperous, will no longer be such a breeding ground of jihadist fanatics. They'll be too busy making money to blow up the world. My attitude toward Pakistan is roughly parallel to Obama's attitude toward rural Pennsylvanians: if the economy really delivered for them, they'd stop clinging to their God. And their guns.

A+, Mickey, for real

3 - a little late on this maybe but goddamn did you see Michelle Obama on Colbert last week? could she be any more of a total fucking babe? what a dress! fuck the haters can we get her in front of the cameras as much as possible? not only is she an obviously real counter to whatever "elitism" etc but there is no way today's America does not want to elect the hottest first couple evar, with all due respect to JFK and Jackie O etc, seriously, there's video, allow yourself to be completely enamored


4 - speaking of being totally Michelle-smitten, this "Hollywood-style" film treatment of a possible brokered convention, by one of the West Wing writers, is seriously fucking awesome! I got a little choked up at the ending tbh! go Wes! kind of a must-read for political junkies and who isn't these days?

tiger

chien-ming wang is really fucking huge in taiwan

"Baseball has been in the Taiwanese people's blood since it was brought here by the Japanese some 100 years ago," says Ben Shao, press director of the Taipei Economic and Cultural Office, "and Wang is the baseball star we've been waiting to pour our hearts into."

...

Now Taiwan's major newspapers charge a higher advertising rate for issues published on a day that Wang pitches, as well as the day after each start. The country's largest circulation daily, Apple Daily, estimates that it sells as many as 300,000 extra papers on days that carry reports of another Wang victory. Endorsements that have come Wang's way include McDonald's, Ford, E Sun Bank (one of the largest in Taiwan) and computer-maker Acer, which claims that Wang's name alone has increased its product sales by 10% and lowered the average age of its consumer by almost four years...

Last year a study in a Taiwanese business journal, Money Weekly, found a correlation between Wang's pitching performances and the fluctuations of the Taiwan Stock Exchange. The report attributed a 25% index rise last summer to Wang's strong June and July. "We absolutely believe it to be true," Shao says of the relationship between Wang's performance and last summer's bull market. "Psychologically, how [Wang] does has a huge effect on the Taiwanese people. If he does well, people are in a good mood, and they go out and spend money. If he doesn't, you walk around and you can see people depressed. It's a very personal matter to the Taiwanese people." (For the record, the country's stock index was up roughly 6%, through Monday, since Wang's first start this season, on April 1.)

sisters of the moon - laura palmer and stevie nicks

[previous installments of my blogging of highlights from Fleetwood Mac's TUSK - "Over and Over," "Save Me a Place," "Sara", "What Makes You Think You're The One"]

not to go out of order too badly or anything on this TUSK bloshing but I've just had an extremely important meta-breakthrough on the retrospectively obvious connections between TUSK/Stevie Nicks and my official #1 obsession of the past winter, Twin Peaks/Julee Cruise. while not an 'official' song blosh, I thought I should share with you notes on this revelation that were spurred by tonight's obsession with the late-TUSK track "Sisters of the Moon," which I will be blogging in a few weeks' time at this rate, so as to preserve the spontaneous and indexical nature of this short-lived blosh

fleetwood mac - sisters of the moon (demo)

notes on the Stevie Nicks / Laura Palmer connection from the night of 4/14:

after finally becoming totally obsessed with "Sisters of the Moon" tonight and reading through the lyrics etc I'm just realizing how fucking David Lynchian, maybe even specifically Laura Palmer-esque Stevie Nicks is. young, blonde, beautiful, but corrupted and twisted by fate and her own personal weaknesses, irresistably drawn to dark, self-destructive, and utterly addictive pharmaceutical and emotional relationships - not to mention the, ahh, incestuousness of her claustrophobic dependence on lovers who are also bandmates who are just as damned as she is

- think about Lynch's inexplicably, awesomely terrifying and never actually-shown image of BOB waiting under the ceiling fan at the top of the stairs by Laura's bedroom in Twin Peaks, while listening to these lyrics from "Sisters of the Moon" -

intense silence
as she walked in the room
her black robes trailing
sister of the moon
and a black widow spider makes
more sound than she
and black moons in those eyes of hers
made more sense to me
heavy persuasion
it was hard to breathe
she was dark at the top of the stairs
and she called to me

yeah right it's fucking intense! also note, not in "Sisters of the Moon" but in "Sara" and the yet-to-be-blogged but crucial "Angel", the frequent invocation of the winds as a kind of metaphor for spiritual isolation/desolation and unplaceable, distantly melancholic vibes - much as David Lynch carefully and scarily uses wind-y sounds in Twin Peaks and elsewhere. in his recent book Lynch talks about telling Badalamenti to "turn up the wind" when he wants literally 'wind'-ish sounds or just Lynch's weird idea of windy vibes which I am pretty sure are exactly the same as Stevie's ideas about winds. think about the nihilistic overtones of "Angel" -

so i close my eyes softly,
'till i become that part of the wind
that we all long for sometime, yeah

and then think about to Laura's monologue in "Fire Walk With Me," lying on the ground next to Donna talking about how if you fell into space you'd just go faster and faster until you burn up, and no angels would save you because they've all gone away -

THEN think about Stevie Nicks in "Sara" - "you said you'd give me light / but you never told me bout the fire," and then later, "the winds became crazy"

and THEN - yes their shared, sentimental belief in redemption and angels, the sweet and uncorrupted little blonde girls they once were and still want to be despite their hopeless entanglement with the dark side - think of the "Angel" of TUSK and the literal angels that appear/disappear in "Fire Walk With Me," the angels that Laura fears are gone from her life until she is, shockingly, and pretty much unbearably movingly, forgiven by an angel in the black lodge with Agent Cooper, as I discussed frankly and extensively here - watch the video, vibe on the wind-y sounds of beginning, the breathtakingly placid and lonely "voice of love," the shared themes and wardrobes of both Stevie and Laura and the lacy angel, etc.

more on this later, I think this will be a rich vein of TUSK-related analysis as well as a potentially disturbing view of previously unexplored, Herschel Walker-esque regions of my psyche