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turns out, I just wasn't ready to look past/accept the lyrics, which aren't even that bad considering how bad they'd get on subsequent albums, and recognize the beautiful, yearning vocal performance, the subtly transcendent, gently anthemic qualities of the chorus, and the fucking production, which to me is so distinct and uniquely shaded and I can't figure out why, is it just a lot of reverb or what? gonna talk more about this album later, at night, as is more app, but I'm really fascinated by the mystery of what makes this sound so 'right' to me... for now, come with me on a sentimental yet awesomely mysterious and unfamiliar yet totally windswept walk over the sunny moor, ignore the cheesiness of the strings in the outro, which I used to like but now grate, etc
suede - the wild ones
1 comment:
john, i am loving your blog right now
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